In the online world, science fiction and fantasy, thrillers and romance rule supreme. Much-maligned genre fiction is seemingly better placed to survive in the new world order than prestigious literary offerings. Why is it that writing as ‘art’ is struggling to make the transition. What does this mean for writers working in the field? Will the digital see the death of the literary? Will all writers eventually turn to genre for survival?
Featuring
Jacinda Woodhead
Jacinda Woodhead is Overland’s deputy editor.
She is also a PhD candidate working on a narrative non-fiction project about the politics of abortion. Her essay ‘Sexiness and Sexism: Neoliberalism and Feminism’ was recently published in Left Turn: Political Essays for the New Left.
Lili Wilkinson
Lili Wilkinson is the award-winning author of eighteen books for young people, including The Erasure Initiative and After the Lights Go Out. Lili has a PhD from the University of Melbourne, and is a passionate advocate for YA and ...
Louise Swinn
Myke Bartlett
Myke Bartlett is a freelance journalist, emerging novelist and veteran podcaster.
Each week, Myke earns a crust reviewing cultural things for Melbourne glossy The Weekly Review. Over the last few years his podcasted fiction has been downloaded more than half a million times. In 2011, he won the Text Prize for his young adult novel The Relic, which will be published next year.