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May 25
Is Docklands an Eyesore? And can Artists and Developers be Friends?
May 26
Religion and Art: Old Friends, New Discussions
May 27
I Wanna be Close to You: Art, Intimacy and Our Obsession with Eating
May 28
Snowblind
May 29
Two Brothers
May 29
The Fifth Estate
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Debut Mondays
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Anita Shreve
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Debut Mondays
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The AWF/Foxtel Screenwriter’s Address: John Collee on the Dream Machine
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Elliot Perlman
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Emerging Writers' Festival: Stories From the Trenches
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The Wheeler Centre Gala 2012: Stories to Believe In
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The Late Great Thea Astley
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Andrew O’Hagan
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Leaving Microsoft to Change the World
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The Late Great Patrick White
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Debut Mondays
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Debut Mondays
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Alom Shaha: The Young Atheist's Handbook
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The Many Lives of Etgar Keret
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Christina Stead: The Man Who Loved Children
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Judith Wright: Poems
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Watkin Tench: A Narrative of the Expedition to Botany Bay
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Janette Turner Hospital: Turbulent Voices
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Javier Cercas and Juan Gabriel Vasquez: Truth and Fiction
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The Hazel Rowley Legacy
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Mikey Cahill on Waxing Lyrical: The Good, The Bad and The Gaga
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Imagine a World Without Memory
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Dickens and Crime: Fiction and Film
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David Astle
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Dickens on Film
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Lloyd Jones
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Jodi Picoult: Between the Lines
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How Not to Get An Agent
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Masha Gessen and Sheng Keyi
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Richard Ford
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Bret Easton Ellis
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Dava Sobel and Barbara Arrowsmith-Young
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Chad Harbach and Jeanette Winterson
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Joshua Cody and Jeffrey Eugenides
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Sjón and Roddy Doyle
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Matthew Reilly
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Chris Flynn: Heroic Hounds
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Alom Shaha: The Young Atheist's Handbook
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Australian Literature 101: Judith Wright: Poems
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David Marr: Power Trip - The Political Journey of Kevin Rudd
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AWG 50th Anniversary: David Williamson State of the Industry Address
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John Birmingham
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Australian Literature 101: Christina Stead: The Man Who Loved Children
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Reading On Vocation with Ramona Koval: Filmmakers
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Robin Boyd: Australian Ugliness
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Debut Mondays: Madeleine Hamilton
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Bret Easton Ellis
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Les Murray
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Overland: Mungo MacCallum
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Peter FitzSimons
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Hugo Award winner China Mieville
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Maria Tumarkin
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Reading the City: Historians on Melbourne
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Lunchbox/Soapbox: Catherine Deveny
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Meanland: Copyright vs Creativity with Cory Doctorow
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Clive Hamilton: climate change crisis
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Irvine Welsh: 'a happy camper'
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The Death of the Newspaper: Who's to Blame?
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Rewiring Our Brains: Nicholas Carr
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Sarah Dunant: 'being lost and being afraid is part of writing'
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Janette Turner Hospital: Turbulent Voices
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Boy In the Moon: Ian Brown
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Quarterly Essay: China, America and Australia's Future in Asia
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Australian Literature 101: Watkin Tench: A Narrative of the Expedition to Botany Bay
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Lunchbox/ Soapbox: Toni Jordan
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Travel Writing: Why It Sucks
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Alan Hollinghurst: Beautiful Lines and Strangers' Children
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An Evening with Alain de Botton
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Monica McInerney
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Geoff Dyer: 'good at sport'
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Jonathan Walker on illuminated books
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Malcolm Fraser Part Three
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Lenore Skenazy: Free Range Kids
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Vandana Shiva
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Malcolm Fraser Part Two
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Malcolm Fraser Part One
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Shaun Micallef
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Lunchbox/ Soapbox: George Megalogenis
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Simon Winchester
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The Written Death
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Bryce Courtenay
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Meanland: Reading in a time of change
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Something To Believe In: Spirituality and Faith
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Nicolas Dickner
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Lunchbox/Soapbox: Peter Singer on why we need a beef tax
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Debut Mondays: Sofie Laguna
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Debut Mondays: Bob Franklin
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Berlin Dayz
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Debut Mondays: Andrew McDonald
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A Gala Night of Storytelling: David Malouf
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Kate Morton
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Jake Adelstein
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Peter James
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A Gala Night of Storytelling: Chloe Hooper
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A Gala Night of Storytelling: Alex Miller
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A Gala Night of Storytelling: Tara June Winch
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A Gala Night of Storytelling: Judith Lucy
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Two Sides of the Story: Fantasy
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Imagine a World Without Memory
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The Late Great: Christina Stead
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Alex Miller
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Voices From Elsewhere: Mem Fox
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Murong Xuecun
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Voices From Elsewhere: Abha Dawesar
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Voices From Elsewhere: Nam Le
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Voices From Elsewhere: Sonya Hartnett
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Voices From Elsewhere: John Birmingham
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Voices From Elsewhere: Yannick Haenel (English)
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Voices From Elsewhere: Yannick Haenel (French)
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The Late Great: Ruth Park
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Voices From Elsewhere: Dagmar Leupold (German)
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Voices From Elsewhere: Murong Xuecun (Chinese)
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Voices From Elsewhere: Murong Xuecun (English)
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Sophie Cunningham: Still Shocking
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The Late Great: Patrick White
Videos:
The Only Gay Book in the Village
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Coming Out Stories
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Joanne Faulkner: The Enemies of Innocence
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Andrew O'Hagan
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Annie Proulx
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Tom Stoppard
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Yannick Haenel: Jan Karski, The Messenger
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Larissa Behrendt: Why is overcoming Indigenous disadvantage so hard?
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Ben Pobjie: In Defence of Offensiveness
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Paul Hawken
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Drama Queens
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Neil Gaiman
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Elliot Perlman
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Texts in the City: Dreams from My Father
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Quarterly Essay - The Good Life: David Malouf
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Angus Trumble - The Finger
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Tim Soutphommasane: The Pleasures of Hate Mail
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A Gala Night of Storytelling: Shane Maloney
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Peter Carey
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Sir Terry Pratchett: 'Imagination, not intelligence, made us human'
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A Gala Night of Storytelling: Cate Kennedy
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MJ Hyland: 'it's really tricky shit'
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Jeffrey Archer
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Dumbing Down Democracy: Tanner and Megalogenis
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The Writer's Banquet: The Writer's Kitchen
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Meg Rosoff
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Emerging Writers' Festival: Stories from the Trenches
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Simon Leys on Literary Criticism: Why and How
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The Writers of Janet Clarke Hall
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Lette's Go to the Opera
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Fatima Bhutto
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You Say You Want a Revolution: Emmanuel Jal Speaks
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David Mitchell
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Susan Mitchell on Tony Abbott: Too Dangerous to Lead
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Jon Ronson
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Michael Cunningham
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Emma Forrest
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Michael Kirby
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Two Sides of the Story: Written for the Telly
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Leah Chishugi
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Sisters in Crime
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Ingrid Betancourt
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Quarterly Essay - Fair Share: Country and City in Australia by Judith Brett
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Emilie Zoey Baker in Defence of Slam Poetry
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Jonathan Safran Foer
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Gail Dines
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Anita Shreve
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Don Watson
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Eva Gabrielsson
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Jay Bahadur
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The Late Great: Marcus Clarke
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Michael Connelly
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Christine Nixon on the Nature of Leadership
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The Writer's Banquet: Literary Feasts
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Michael McGirr: "the closest I'll ever get to TV"
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Max Barry: "forced to read Twilight...
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Jane Clifton: "where character is at the heart of it."
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Wells Tower: 'the clever cold architect of your mind'
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Two Sides of the Story: Beyond the Couplet
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Theatrical Tendencies
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John Carroll on Violence and the Modern Middle Class
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TJ Clark: The Art Historian and the Poet
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Emotional Cities
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Two Sides of the Story: Creative Journos
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Krissy Kneen: "strange sex with goats"
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Amos Oz - Israel: War, Peace and Storytelling
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Thomas Friedman
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Voices From Elsewhere: Dagmar Leupold (English)
Dailies:
Writing as Collaboration
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Booker Longlist Announced
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Librarians Review the Premier's 21: P...
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Author Successfully Sues Book Reviewer
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The Killer at the Door
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Librarians' Fictions
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Awards Judges Make Their Comments
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High Drama Among the Librarians
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Booksellers Sound the Gong
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Argentinian Mischief-Maker Explodes N...
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Brisbane Writers Festival Program Ann...
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Iceland's Epic Literary Heritage Reco...
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Byron Bay Writer's Festival Claims We...
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Just Another Manuscript Monday
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The Problem with Writers' Houses
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Be a Part of the Premier's 21
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On the Beach
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Victorian Premier's Literary Awards S...
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Irish Novelist May Not Win the Booker
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'Mensch's Men' Show Characteristic Co...
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Life Imitating Art
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Melbourne Writers Festival Kicks Off
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News That's Newer Than New
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A Star is Born
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'Indelible Ink' Leaves an Indelible Mark
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Uncomfortable Truths: Gender Matters
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Vale Geoffrey Dean
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Former Oligarch Pens Prison Sketches
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Strawberry Milk Forever
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The Long Hours that Follow the Fiftee...
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Whatever Happened to the Future?
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Advice to Aspiring Writers
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Chinese Dissident Goes Into Exile
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Crime Master's Career has Chandleresq...
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A Visit to Slush Pile Hell
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Christine Nixon Praises Julia Gillard...
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Controversial French Novelist Reporte...
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"Our Crazy, Crazy Pornographic Culture"
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What Future for Rural Australia?
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Spineless Wonders Bravely Wanders Int...
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New Pathways for Ebook Authors
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Australia Council Funding Advice
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'Gay Girl in Damascus' Had a Previous...
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Ignoble Speculation on Nobel Winner
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Ingrid Betancourt on the Secret to Su...
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The Name that Signs the Paper
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The Accidental Writer
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Lord Mayor Creative Writing Awards An...
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Self-Help Original Gets a Makeover
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@#$*!
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Postcard from the Ubud Writers Festival
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Naipaul Dismisses Women Writers
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Writers Pre-Occupied by Occupy Movement
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Julian Barnes' Happy Ending
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Literary Feuds: A Long & Rancorous Hi...
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Fatima Bhutto's Life Under the Sword
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What's a Catholic to Do?
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NaNoWriMo Starts Today
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Arsenic & Young Jane
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Writing Unbound
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Video of Emerging Writers' Festival: ...
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Argentinian Writers' Pension Scheme P...
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Bad Sex Nominees Announced
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Ian McEwan Switches Off
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Fates Worse Than Death
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Mystery Surrounds Disappearance of Ch...
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One is the Loneliest Number
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Best of 2011: Books & Writing
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The Guy Who Stayed Out of the Fold
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Like for Like
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Annie Proulx at the Wheeler Centre
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Always the Bridesmaid, Finally a Bride
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Everything Old is New Again
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Oodles of Doodles
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Who Cares About Australian Classics?
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DIY Book Marketing
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Cult Author Goes Yellow
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How Publishing Can Help Queensland Fl...
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Wheeler Centre Supporting Queensland ...
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David Foster Wallace Resurrected in P...
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Paul Auster on America Today
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Boys Will Be Boys Clubs
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Music meets short stories
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Solving the Puzzling DA
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At Home With Monica McInerney
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The Truth in 42 Minutes by Kris Mrksa
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Working with Words: Alan Hollinghurst
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NaNoWriMo Begins
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Friday High Five: Publishing Euphemis...
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Kissing Arse and Butting Heads: Life ...
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The Dark Art of Janette Turner Hospital
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The Writer and the Musician – Review ...
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Working with Words: Anna Krien
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Pitching to Editors Gonzo-style
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David Simon Officially a Genius
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Working with Words: Geordie Williamson
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Anna Krien reckons newspapers are lik...
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Oscar's Invitation up for Sale
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Come back Jonathan, Oprah Forgives?
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Want a preview of Alex Miller at toni...
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Talking Back to the BEE
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Bret Easton Ellis Joins the Babysitte...
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Celeb Books Are Back
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Melbourne Writers Festival Tickets on...
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From taking on Dickens, Ned Kelly and...
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When Irish author Colm Toibin came to...
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Working with Words: Maria Tumarkin
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How do you re-work a 20th-century cla...
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Friday High Five: New Sedaris, ghostw...
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Colm Toibin gave a special performanc...
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Sjón and the Literature of Iceland
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New Yorker hearts Carey
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White For the Lost Booker?
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Friday High Five: Seriously silly aut...
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Lighting up a New Kind of Novel
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'Make Good Art': Writerly Advice from...
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