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We Need to Talk About the Aurora Movie Shooting

The media coverage of the weekend’s mass shooting at a Colorado movie theatre continues to roll out, dominating front pages and news headlines.

highlight Myriad questions are being asked, with blame laid in all kinds of places. Is it the fault of America’s famously loose gun laws? Or the ban on guns within the cinema? Is it violent entertainment, like the movie that was showing at the scene of the murder? Role-playing video games? Mental illness?

One question that few media outlets are asking is this: How does the news coverage of events like this influence the likelihood of future events?

Over at New Statesman, BBC series Newswipe explores the issue. A forensic psychiatrist talks about responsible media coverage – and how important it is.

Rules for media coverage of mass killings

If you don’t want to propagate more mass murders:

Don’t start the story with sirens blaring.

Don’t have photographs of the killer.

Don’t make this 24/7 coverage.

Do everything you can not to make the body count the lead story …

… and not to make the killer some kind of anti-hero.

Do localise this story to the affected community and be as boring as possible in every other market.

The Newswipe psychiatrist concluded, ‘Every time we have intense saturation coverage of a mass murder, we expect to see one or two more within a week.’

Nihilistic pin-up boy

At USA Today, law professor David Kopel urges similar caution.

On the night of the event, he suggested the following day’s inevitable front-page pictures should show the victims, not the murderer. (Of course, this didn’t happen.)

More tips for responsible media coverage include:

Inside the papers, running a single, small picture of the Aurora killer is sufficient for showing the public what he looks like. His image should not be run day after day, accompanying the follow-up stories.

Likewise, the media should refrain from giving the crime a catchy nickname. Refer to the crimes as the ‘Aurora movie killings’ or something similar – not ‘the Batman murders’.

Showing cellphone videos of the crime in progress will attract viewers, and therefore advertising dollars. It will also help incite other potential killers.

As much as possible, journalists should try to avoid making the killer’s name a household world … Always, the effort should be to deglamorise him.

‘Repeatedly showing us the face of a killer isn’t news; it’s just rubbernecking,’ sais Newswipe presenter Charlie Brooker. ‘This sort of coverage only serves to turn this murdering little twat into a sort of nihilistic pinup boy.’

The New York Times blog has run an excellent and sadly familiar piece about the, well, sadly familiar tone of the coverage. There is a template for reporting these things now – and unfortunately, it’s pretty much the mirror opposite of what sober and sensible behavioural experts recommend.

Fame and infamy ‘nearly identical’

It is a sad fact of contemporary news media practice that the bodies have to be stacked for murder to be truly newsworthy … The men who do these acts of mass murder know that they have to engage in a profound level of violence to stand out from the clutter. – New York Times

An award-winning in-depth article from almost 20 years ago, ‘Ethical Problems of Mass Murder Coverage in the Mass Media’, is being cited by those concerned about the issue. It’s lengthy, but well worth a look – particularly as it dates from the time before Columbine; before this kind of event became a regular occurrence.

The author has found examples of news articles on mass murders being conspicuously found in the possession of recently arrested copycat killers. He argues that while violent entertainment is often blamed for these events, the (more profound) effect of news coverage is more often ignored.

Fame and infamy are in an ethical sense, opposites. Functionally, they are nearly identical. Imagine an alien civilisation that does not share our notions of good and evil, studying the expanding shell of television signals emanating from our planet. To such extraterrestials, Winston Churchill and Adolf Hitler are both ‘famous’; without an ability to appreciate the vituperation our civilisation uses to describe Hitler, they might conclude that both were ‘great men’. Indeed, they might assume that Hitler was the ‘greater’ of the two, because there has certainly been more broadcast about Hitler than about Churchill.

For most people, he points out, it’s easier to become famous by being recognisably bad than by being recognisably good.

What role does the pursuit of fame – and attention – play in motivating these killers? And if it is centrally important, what happens when we answer their desires by broadcasting their names and faces around the world, repeatedly?



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Posted:

24 July 2012

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There are 3 comments so far

3 comments so far:

And from The Onion: 'Sadly, Nation Knows Exactly How Colorado Shooting's Aftermath Will Play Out'

http://www.theonion.com/articles/sadly-nation-knows-exactly-how-colorado-shootings,28857/

Watching, reading or listening to the news lately, I've become deeply annoyed by the glib, stupid coverage of this issue. Even ABC Newsradio ran a syndicated British phone interview with a man who runs a gun club where the accused killer recently applied for membership. It's not news and it serves no purpose but to dwell on stupid details and ultimately build a mythology for this person.

Thankfully, there have been a smattering of critiques of this sort of news coverage. But nowhere near enough.

Jon
24 July at 01:33PM

Yes, it's tricky (well, in some ways - a lot of the coverage is plain stupid). I do think it's worth exploring the 'why' of this and the social issues behind it. But it needs to be done without, as you say, building a cult of personality, and in a way that actively avoids doing such a thing.

That's done not by raking over every detail as it happens and treating the killer like a Who or Famous pap-target, but by being considered and methodical (and it probably needs distance).

Really, journos should be reading over their pieces and taking out anything that will likely cause harm.

*rant over*

Jo
24 July at 01:37PM

The scapegoating has begun. Neil Gaiman was blamed by an Italian newspaper because he was cited as 'Batman's daddy' - if that's true, I want to borrow Neil's time machine, thanks.

I've also seen calls for control of people in costumes as if cosplayers are the root of the problem. I'm concerned for many of my followers and fans who engage in this harmless, fun and creative pastime who may now be viewed with greater suspicion by the public and the police, coming up to huge cosplay events in Melbourne.

I don't want to see a harmless and creative pastime, cosplay, come under threat because a small number of people want guns to go with their costumes and those guns might (legitimately) scare someone. Now we've had someone claiming to be the Joker perpetrate a mass shooting, it's only a matter of time before there's an incident of some description (actual or perceived threat) involving a cosplayer in Melbourne.

Nalini Haynes
24 July at 02:13PM

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